Furlan
12-22-2003, 12:24 PM
Maybe I just don\'t get it, but I am having a hard time getting GPO to run from my old dinosaur sequencer. I\'ve tried to configure Maple Cable, Bidule, and GPO as outlined in the \"GPO and Midi Ports\" thread below, and have even downloaded PatS\' bidule setup for GPO, but still get no sound.
I have a bunch of old sequences I created in Cakewalk 3.0 (yes, 3.0, bought in 1996!), when I was using it to trigger an EMU E-Synth hardware sampler. I wanted to try them out with GPO, but I can\'t get sound. I\'m sure I\'m just missing something really basic, but I can\'t see it.
Could someone please give me a helping hand in configuring GPO for use with either Cakewalk (3.0. the pre-audio version) or Cakewalk Home Studio. I know I should update to a newer sequencer, but there\'s a learning curve that I don\'t have time to negotiate right now. Even the simple Cubasis that comes with GPO seems daunting right now. I know my old Cakewalk sequencer so well, that composing with it is second nature, and the \"technology\" does not get in the way of the music making.
This was a feature that really drew me to GPO: the idea that the user interface is so clear, and the controllers so streamlined and standardized, that it is a simple matter to get what\'s in your head into a concrete form. I am so done with tweaking things to make them sound right, finding the exact articulation to use in a sequence, and composing around the samples. I know tweaking helps to create realism, but I sometimes find that I lose the \"forest through the trees.\"
GPO is not the end of this, but a beginning. I would note however, that some of the programming (which is quite adept, thank you Mr. Hopkins) is not unlike some of the programming on hardware samplers and sound modules of years past. While I feel that GPO is a new beginning, it does borrow some excellent things from the past in the way of programming to create a transparent user interface.
So if someone could give me a helping hand, I would be most grateful. Sorry for the digression above, but it is cool to have a \"personal orchestra\" at your beck and call.
By the way, the sounds in GPO are outstanding, and being able to build small chamber string sections from individual instrument samples is brilliant. The sound is very realistic. Just listen to the Vivaldi demo on Mr. Garritan\'s website and you might think you\'re actually hearing live musicians.
Thanks in advance to all those that reply.
I have a bunch of old sequences I created in Cakewalk 3.0 (yes, 3.0, bought in 1996!), when I was using it to trigger an EMU E-Synth hardware sampler. I wanted to try them out with GPO, but I can\'t get sound. I\'m sure I\'m just missing something really basic, but I can\'t see it.
Could someone please give me a helping hand in configuring GPO for use with either Cakewalk (3.0. the pre-audio version) or Cakewalk Home Studio. I know I should update to a newer sequencer, but there\'s a learning curve that I don\'t have time to negotiate right now. Even the simple Cubasis that comes with GPO seems daunting right now. I know my old Cakewalk sequencer so well, that composing with it is second nature, and the \"technology\" does not get in the way of the music making.
This was a feature that really drew me to GPO: the idea that the user interface is so clear, and the controllers so streamlined and standardized, that it is a simple matter to get what\'s in your head into a concrete form. I am so done with tweaking things to make them sound right, finding the exact articulation to use in a sequence, and composing around the samples. I know tweaking helps to create realism, but I sometimes find that I lose the \"forest through the trees.\"
GPO is not the end of this, but a beginning. I would note however, that some of the programming (which is quite adept, thank you Mr. Hopkins) is not unlike some of the programming on hardware samplers and sound modules of years past. While I feel that GPO is a new beginning, it does borrow some excellent things from the past in the way of programming to create a transparent user interface.
So if someone could give me a helping hand, I would be most grateful. Sorry for the digression above, but it is cool to have a \"personal orchestra\" at your beck and call.
By the way, the sounds in GPO are outstanding, and being able to build small chamber string sections from individual instrument samples is brilliant. The sound is very realistic. Just listen to the Vivaldi demo on Mr. Garritan\'s website and you might think you\'re actually hearing live musicians.
Thanks in advance to all those that reply.