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View Full Version : An Andy Brick Masterpeiece! - Grygans Song



Garritan
10-23-2004, 09:49 PM
Andy Brick, well-known film and game composer, conductor and symphonist, has submitted a new work called "Gygran's Song". This piece is a monumental undertaking and was entirely done with the new GPO updates.

http://www.garritan.com/mp3/GygransSong.mp3
(The work is almost 5 minutes and is close to a 7 MB download).

Here is a description in Andy's words:
In an evocative, eerie and yet solemn opening, I introduce the main theme in a simple duet of the bass flute and the double bass clarinet. Since it is indeed rare to find either instrument in any orchestral sample library, I thought I would take advantage of the library and employ both at the opening. The theme slowly evolves and grows until, upon its fourth iteration, all instruments in the woodwind choir have been introduced and we are led into a grand and sweeping string development reminiscent of epic cinematic film scoring. After an orchestral shift leads us through a moment of wondrous mystery, a final presentation of the opening theme arrives at its climactic resolution.

The middle section is again introduced by the woodwinds presenting a secondary theme. But this time their fanciful display is transferred to the wonderful Steinway in this library as it demonstrates its playfulness and agility. As the trumpets begin to add statements of grandeur the fortissimo horns present the entire orchestra in a wonderfully colorful display of both themes playing simultaneously. Particularly impressive to me was how well all the instruments handled the multitude of articulations called for in my score

I take us through a short dynamic, metric and orchestral diminuendo which arrives at the third section in which the Horn choir is featured in a development of the opening theme. So often employed as a simple use of power, the Horns here demonstrate the wonderfully tranquil yet majestic nature of the section. The majesty is brought forth by forte trumpets as they lead the Violins, Violas and Celli and Contrabasses to a final reflection of that opening theme.

To complete the dynamic cycle and pay homage to the Garritan Orchestral Strings, I let the GPO strings sing a deeply pensive and reflective coda. If you listen carefully, you will notice how well the GPO low woodwinds fill out the string choir.
The GPO Instruments used:

Piccolo, Flute, Alto Flute, Bass Flute, Oboe, Modern Oboe, Oboe D’Amore, English Horn, Bb Clarinet, Bs. Clarinet, Contr. Bs. Clarinet, 3 Bassoons, Contr Bassoon, 4 French Horns, 3 Trumpets, 3 Tenor Trombones, Bass Trombone, 2 Tubas, Harp, Piano, Croatales, Orchestra Bells, Triangle, Tambourine, Snare, Timpani, Suspended Cymbal, Piatti, Gong, Windchimes, Solo Violin, Violins 1&2, Viola, Celli and Basses (Lush, Trem, Pizz, Sus & Short bows)

About the Artist:
Andy Brick is a prolific composer, conductor and symphonist of music for film, television, live concerts and interactive games. He has extensive experience composing and recording live and midi orchestral scores for cinematic soundtracks and is a winner of numerous prestigious awards for his original music, including ASCAP Young Film Composer Award, ASCAP Popular Music Award, and CINE Golden Eagle Award.

Brick has composed music for Game projects by Electronic Arts, Sony, Interplay, Broderbund, Saffire, Mattel, and Konami and 3DO. His game score credits include Rick Dyer's (of Dragon's Lair fame) The Far Reaches, for which a bonus soundtrack album of Brick's music was released. He also scored Dyer's epic Tolkien-like fantasy adventure Kingdom II: Shadoan released on PC and PlayStation 2. In 2002, Brick provided new music for the US release of Arc The Lad Collection (Working Designs), one of the best-selling RPG videogame series in Japan. Furthermore he has written music for the groundbreaking game music symphony album Merregnon II (www.merregnon.com (http://www.merregnon.com)) recorded with The Prague Symphony Orchestra and Philharmonic Choir. As Music Director/Composer, Conductor and Senior Orchestrator, Brick worked alongside producer Thomas Boecker (Merregnon Studios), and veteran game composers such as Yuzo Koshiro (Shenmue) and Chris Huelsbeck (Star Wars: Rogue Squadron). In 2003 & 2004, Brick scored two of the largest blockbuster game titles Sim City Rush Hour and the highly anticipated Sims 2. Brick's score for Rush Hour was recorded with the 80 member Moravian Philharmonic. Sims 2 was performed and recorded under the direction of Mr. Brick with the 110 member Bratislava Symphony. In spring 2004 Andy once again took the podium and led the Filmharmonic of Prague through the recording sessions of Stalker: Shadow of Chernobyl.

Let us know your thoughts. I hope you enjoy this incredible work!

Gary Garritan

robgb
10-23-2004, 10:10 PM
Oh, my God. This is amazing. This should be your selling demo, Gary. Just absolutely wonderful.

Joseph Burrell
10-23-2004, 10:11 PM
Well, this should certainly sell some copies of GPO. This is certainly a masterpiece of digital orchestration. Andy, you have wonderful control over Garritan Personal Orchestra. I wonder how long this took him to achieve?

As a videogame music fanatic, this is my style of thing. Great work Andy. Thanks for sharing this with all of us wannabe's.

SeanHannifin
10-23-2004, 10:25 PM
I knew I had heard of his name before . . . then I realized I've been to his website a while ago (www.andybrick.com). He's an awesome artist. I don't know how they do it! Excellent work!

jkerr
10-23-2004, 11:31 PM
Well, this should certainly sell some copies of GPO. This is certainly a masterpiece of digital orchestration. Andy, you have wonderful control over Garritan Personal Orchestra. I wonder how long this took him to achieve?

As a videogame music fanatic, this is my style of thing. Great work Andy. Thanks for sharing this with all of us wannabe's.

Lol - Seeing as the updates have been out less than a week, I bet it took him very little time at all. He is so skiiled, that it probably flows very quickly. My guess is he sketched the ideas out in an afternoon and fine -tuned it the next day. It will be interesting to see if anybody knows the answer though. I am curious myself.

tonylombardi
10-24-2004, 01:14 AM
I thought the music was ok. I tend to be moved more by good unique themes than nice sounds. The sound was pretty good for something costing $250!

Alexcremers
10-24-2004, 06:35 AM
For shear realism, the coda sounded best to my ears. Overall, I think the piece is too dry. Maybe a little more ambience could thicken up the samples.

------------
Alex Cremers

chambermusic
10-24-2004, 10:28 AM
My regards to Andy for a beautiful work of music. This is very much the style of music that I (wish I) could write if I had the time.

David

Melody
10-26-2004, 12:45 PM
This is amazing and really highlights the library. Mr. Brick is an incredible composer. The new updates make GPO sound like a whole new library.

provette82
10-27-2004, 12:52 PM
An astounding piece of music ... beautifully conceived
and magnificently presented to the ear via GPO.

Three cheers for the "BRICK" and GPO
for making my day. What a wonderful
discovery.

I hope its OK to share the MP3 file with
non-composer friends?

Paul O
Houston

Steelhed
10-28-2004, 01:01 AM
I think the composition was ...OK... But I could hear the edges of many of the sounds.. I know that's a rookie way of putting it but... The fact that he could just throw it together so quickly is great.. I just think it sounded too much like a sampler... Go ahead, flame me, just my opinion...

Garritan
11-02-2004, 05:25 PM
Andy has posted this to the GPO Forum:


Hello,

Thank you all for the very kind words. I wish I was as fast as some of you suggested but, unfortunately Im not. The piece took me about 3 full days I wrote the short score way back in June but then got very busy with a concert I conducted this past August in Europe so I couldn't sequence it until I returned from Europe in early September. By then, Gary was nice enough to get me a preview version of the update so, in the end, the delay turned out to be a good thing.

I am often asked what I do to make my midi mockups sound so good. I guess I mostly draw on my experiences standing in front of all sorts of different sized orchestras and then ask myself how i can best transfer that to samples. I think its important to understand what an orchestration would really sound like if performed live. There are fundamental acoustic principles that regulate how our 21st century ears perceive sound. Those principles occur naturally in a live situation. With samples, however, they must be recreated. So, I try to recreate what I perceive to be a natural sound. Unfortunately I don't think that this is as obvious as it may seem. The acoustics of a live orchestra are very complex. The greatest irony of a live orchestra is that no one plays together and no one plays in tune with anyone else. Keep that in mind when you sequence.


From a technical standpoint I do make very heavy use of CC1. This is especially true at the ends of phrases and when necessary I employ some of the other advanced controllers. I tend not to quantize too much. In the opening of Gygrans song there is a late clarinet entrance. I was tempted to "fix" it until I realized that "fixing" it would be really destroying it.

In the end however, I think a good orchestral midi sequence is really about the composition and the orchestration and the conductor. I guess most people recognize the importance of the first two but rest assured that every time you sequence you are acting very much like a conductor. I kid you not when i tell you that on more than one occasion I have actually conducted as my sequencer is playing to make sure the physical connection is there. Watch some videos of the great conductors and I guarantee your sequences will benefit.

Finally, there is a very interesting and specific reason why this piece is entitled Gygrans song. Anyone care to take a guess? ... it goes beyond what first inspection might reveal.

Thanks again for everyone's support and generous praise. It means a lot to me.

Andy

Andy Brick
11-19-2004, 01:11 AM
Hello,

I just saw this post and wanted to say a personal thanks to everyone for their very nice comments about the piece. GPO is a wonderful tool and I hope that Gygrans song inspires others to explore the potential of this great library.

All my very best wishes,
Andy Brick