Fabio
03-08-2005, 05:05 PM
Hi Academy teachers, welcome.
I post my first personal idea for a sequence of lectures:
"music dissection: learning by elements, about elements"
here we can start creating innovative and flexible didactic, discussing abot the importance of single elements, that are crossing harmony, melody, rithm, counterpoint, orchestration. it can be a sort of digest analysis for musicians from beginners to experts.
Some sample:
"the tension":
rithm weak and strong accent
melody climax and single note wheigt
Chord meaning in the harmonic sequence
phrase meaning in the form
orchestration choice for the phrase meaning
and so on...(you can cover the whole music knowledge in this way)
sigle topic dissection:
"melody climax and note meaning"
tethrachords, scale, mode
grade of the scale meaning
note sequence design
single element dissection:
"tethrachords and scale, mode"
the tone and the half-tone meaning and positioning, natural and temperated
C,D,E,F as a cell of melody ("fa mi, mi fa est tota musica" E-F and F-E is the whole music, J.S.Bach)
the tone and the mode, a matter of half tone positioning
alternatives: the pentatonic scale, the blues scale, the whole tone hesatonic scale
etc. etc.
What do you think? :rolleyes:
I post my first personal idea for a sequence of lectures:
"music dissection: learning by elements, about elements"
here we can start creating innovative and flexible didactic, discussing abot the importance of single elements, that are crossing harmony, melody, rithm, counterpoint, orchestration. it can be a sort of digest analysis for musicians from beginners to experts.
Some sample:
"the tension":
rithm weak and strong accent
melody climax and single note wheigt
Chord meaning in the harmonic sequence
phrase meaning in the form
orchestration choice for the phrase meaning
and so on...(you can cover the whole music knowledge in this way)
sigle topic dissection:
"melody climax and note meaning"
tethrachords, scale, mode
grade of the scale meaning
note sequence design
single element dissection:
"tethrachords and scale, mode"
the tone and the half-tone meaning and positioning, natural and temperated
C,D,E,F as a cell of melody ("fa mi, mi fa est tota musica" E-F and F-E is the whole music, J.S.Bach)
the tone and the mode, a matter of half tone positioning
alternatives: the pentatonic scale, the blues scale, the whole tone hesatonic scale
etc. etc.
What do you think? :rolleyes: