Raymond62
06-03-2007, 08:15 AM
Hi Folks
possibly you know the solution I can't find.
The violins-1 part has been divided into three different sample properties and tracks:
1. shorter notes with sample length shorter than default (50), portamento and other settings also different
2. longer notes/phrases with maximum sample length, etc.
3. tremolo like stuff in another with very short sample length.
I also have the Strad (KP2) as solo violin and to get it as I like (and considered to be good enough -- but that can change) took just about one week.
I want the following - it is a piece for solo Violin and small orchestra - :
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hearing the Strad playing while recording Modwheel data (volume) for all three above mentioned tracks.
---------------------------------------------------------------------------------------------------------
I set all tracks involved to Solo and that little Speaker symbol and armed the three tracks for recording. What I get is also data of the Strad in those Violins tracks with all sorts of controller numbers - sometimes it leads to very strange effects.
How do I do that, listening and hearing while recording without getting the midi data from the already finished tracks? I can't find this in that manual (610 pages!!!!!)
Raymond
possibly you know the solution I can't find.
The violins-1 part has been divided into three different sample properties and tracks:
1. shorter notes with sample length shorter than default (50), portamento and other settings also different
2. longer notes/phrases with maximum sample length, etc.
3. tremolo like stuff in another with very short sample length.
I also have the Strad (KP2) as solo violin and to get it as I like (and considered to be good enough -- but that can change) took just about one week.
I want the following - it is a piece for solo Violin and small orchestra - :
--------------------------------------------------------------------------------------------------------
hearing the Strad playing while recording Modwheel data (volume) for all three above mentioned tracks.
---------------------------------------------------------------------------------------------------------
I set all tracks involved to Solo and that little Speaker symbol and armed the three tracks for recording. What I get is also data of the Strad in those Violins tracks with all sorts of controller numbers - sometimes it leads to very strange effects.
How do I do that, listening and hearing while recording without getting the midi data from the already finished tracks? I can't find this in that manual (610 pages!!!!!)
Raymond