Jake Johnson
07-01-2003, 09:01 PM
I understand that the Kawai MP9000 is an older, looped sample set. Ne me\'flamez, si vous plais. And I\'m sorry for such very specific questions, but:
At a music store (with bad listening conditions), I recently played a Kawai MP9000 for the first time, and was surprised. The octave two octaves above middle C was not wonderful--almost sine waves. On the other hand, the octave below middle C and above it were very good, particularly on the Studio Grand patch.
Is anyone here familiar with both this instrument and The Grand? Presumably, The Grand would be much better, since it has longer samples and more samples\\less interpolation. But my main concern is if it sounds as good, has the same presence and clarity, as the midrange of the MP9000. (I\'m seriously considering buying a MP9000 just because of its ability to sustain chords in this area so well. Sounds great for songwriting.
Or were my ears deceiving me? I\'ve played enough store keyboards to know how hard it is to judge a sound while other in a noisy store, so it wouldn\'t surprise me if the MP9000 samples sound less pristine in a quiet setting.)
A second question (or is this the third?): Is The Grand sampled from a hall perspective, so it\'s more suited for classical, or is it sampled from a players perspective\\close mic\'ed, more like the Studio Grand patch on the MP9000?
And while I\'m asking about Kawai sounds: Is anyone working on a Kawai Giga\\Kontakt sample set that sounds as forceful as the MP9000 samples? The MP9000 may just have one or two layers, but I really wanted to keep playing it for hours when I tried it out today. Much thereness there, even though playing it, I couldn\'t help noticing the unnatural decay. (Is there a name for this--noticing the flaws in something, understanding it\'s dated and been surpassed, but still wanting it? \"Hearing loss,\" maybe?)
At a music store (with bad listening conditions), I recently played a Kawai MP9000 for the first time, and was surprised. The octave two octaves above middle C was not wonderful--almost sine waves. On the other hand, the octave below middle C and above it were very good, particularly on the Studio Grand patch.
Is anyone here familiar with both this instrument and The Grand? Presumably, The Grand would be much better, since it has longer samples and more samples\\less interpolation. But my main concern is if it sounds as good, has the same presence and clarity, as the midrange of the MP9000. (I\'m seriously considering buying a MP9000 just because of its ability to sustain chords in this area so well. Sounds great for songwriting.
Or were my ears deceiving me? I\'ve played enough store keyboards to know how hard it is to judge a sound while other in a noisy store, so it wouldn\'t surprise me if the MP9000 samples sound less pristine in a quiet setting.)
A second question (or is this the third?): Is The Grand sampled from a hall perspective, so it\'s more suited for classical, or is it sampled from a players perspective\\close mic\'ed, more like the Studio Grand patch on the MP9000?
And while I\'m asking about Kawai sounds: Is anyone working on a Kawai Giga\\Kontakt sample set that sounds as forceful as the MP9000 samples? The MP9000 may just have one or two layers, but I really wanted to keep playing it for hours when I tried it out today. Much thereness there, even though playing it, I couldn\'t help noticing the unnatural decay. (Is there a name for this--noticing the flaws in something, understanding it\'s dated and been surpassed, but still wanting it? \"Hearing loss,\" maybe?)