Oxytoxine
07-04-2008, 06:29 AM
hello fellow pianists (and hopefully uli, the developer of the galaxy piano);
this is my first post on this forum, so hello to you all :)
i'm strongly interested in galaxy II but unsure whether to choose the boxed 24bit or the download 16 bit versions of all the instruments. i'm aware of the technical differences between the two: 24bit vs 16bit, half tones vs whole tones sampled, 50s vs 30s sample lenght, the different modes of resonance samples etc., but i do not know which of these parameters really do make an audible difference and which are rather "cosmetics". my experience up to now with piano sample libs is rather limited (i currently use truepianos and PMI bösendorfer 290), therefore i would be very thankful for some help.
to cut my questions short:
a) is there an audible difference between the two versions? should the download version suit the needs of solo jazz/classic/pop recordings?
b) how big is the system performance difference caused by the larger sample set size and the DFD disc streaming mode?
longer form:
a) what is the "real-world" difference between the 16 and 24bit samples? have the samples been re-recorded at 16bits or where they dithered? will i have a problem with dither noise summing up when playing with high polyphony? or in the end when rendering projects due to "double dithering"? and does the absence of chromatic sampling result really in an noticeable difference?
compared to the bösendorfer, the galaxy vienna grand seems to be duller, but i don't know whether this is just because it's another instrument differently recorded or whether this is actually the 16bit "lofi-effect", but i like the overall playability/balance/feeling/more velocity layers etc. of the vienna much more.
b) the reason why i don't simply buy the boxed 24bit version (making the above mentioned troubles obsolete ;-) is that there seem to be performance problems with the full version (about 9gb/instrument) that do not occur with the download version (about 2 gb/instrument). is this mainly due to the simple sample size difference or rather the DFD mode?
i have a C2D E6750 2.66 ghz 2GB ram computer, but using the PMI bösendorfer 290 in kontakt 2 causes some CPU overload on my system at high polyphoonies if using resonance scripts, so i'm a bit afraid). is there hope the "big" galaxy II would be satisifed with this resources?
(the download version does run smoothly without any problems and rarely exceeds 10% CPU even at really high polyphony, also disk streaming seems not to be a problem at all).
sorry for the many questions and the unstructured way of presenting them; i'm fairly new to the technical aspects of vstis and any comments/tips/experiences would be highly appreciated!
thank you very much and stay tuned
oxy
ps: i also posted a similar thread in the actual galaxy II forum, but it does not seem to be very frequented..:-(
this is my first post on this forum, so hello to you all :)
i'm strongly interested in galaxy II but unsure whether to choose the boxed 24bit or the download 16 bit versions of all the instruments. i'm aware of the technical differences between the two: 24bit vs 16bit, half tones vs whole tones sampled, 50s vs 30s sample lenght, the different modes of resonance samples etc., but i do not know which of these parameters really do make an audible difference and which are rather "cosmetics". my experience up to now with piano sample libs is rather limited (i currently use truepianos and PMI bösendorfer 290), therefore i would be very thankful for some help.
to cut my questions short:
a) is there an audible difference between the two versions? should the download version suit the needs of solo jazz/classic/pop recordings?
b) how big is the system performance difference caused by the larger sample set size and the DFD disc streaming mode?
longer form:
a) what is the "real-world" difference between the 16 and 24bit samples? have the samples been re-recorded at 16bits or where they dithered? will i have a problem with dither noise summing up when playing with high polyphony? or in the end when rendering projects due to "double dithering"? and does the absence of chromatic sampling result really in an noticeable difference?
compared to the bösendorfer, the galaxy vienna grand seems to be duller, but i don't know whether this is just because it's another instrument differently recorded or whether this is actually the 16bit "lofi-effect", but i like the overall playability/balance/feeling/more velocity layers etc. of the vienna much more.
b) the reason why i don't simply buy the boxed 24bit version (making the above mentioned troubles obsolete ;-) is that there seem to be performance problems with the full version (about 9gb/instrument) that do not occur with the download version (about 2 gb/instrument). is this mainly due to the simple sample size difference or rather the DFD mode?
i have a C2D E6750 2.66 ghz 2GB ram computer, but using the PMI bösendorfer 290 in kontakt 2 causes some CPU overload on my system at high polyphoonies if using resonance scripts, so i'm a bit afraid). is there hope the "big" galaxy II would be satisifed with this resources?
(the download version does run smoothly without any problems and rarely exceeds 10% CPU even at really high polyphony, also disk streaming seems not to be a problem at all).
sorry for the many questions and the unstructured way of presenting them; i'm fairly new to the technical aspects of vstis and any comments/tips/experiences would be highly appreciated!
thank you very much and stay tuned
oxy
ps: i also posted a similar thread in the actual galaxy II forum, but it does not seem to be very frequented..:-(