A pleasurable and interesting listen, Richard, with
it's rather French opening -- and then cascading
into classic Wayland... and then rather inferentially
back. It leaves us with an interrogative, of course!
Well, David, I was surprised by the French reference. Despite the title, the piece is really impure Bach, start to finish. That is, the idea of it has it's roots in Bach. The original polyphonic section was replaced, as it was a bit far out for me.
I have some other ideas of this sort in mind, but I don't know if I can carry them out!