Its the best orchestral percussion out there right now.
No switching room mics (goes to find both Donnie\'s and Tob\'s because neither has offered BOTH close and far samples)
You can get pretty good results by changing the attack time of the samples, and then tossing them into another reverb.
Its not \"perfect\" for that WAAAAAaaaaaaaaaaaayyyy far in back sound, but it works.
Another thing I\'ve done is:
processe the individual samples, then lop off a few milliseconds from the start of them to make them \"tighter\". Works pretty good.
Yes, LOP was recorded in a hall but as some of the other users have mentioned we purposely did not make it too boomy so that the library could work equally as well in a smaller chamber or percussion ensemble setting. It does take to reverb very well though.
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