I´ve come to a point where I guess I need to know a bit more (in my case more means more than nothing) about World Clock syncing.
I have 3 pieces of gear with World Clock jacks: a Yamaha 01R96 mixer, a Akai Z8 and an old AD/DA-to-ADAT Converter a Creamware A-16.
My question is what to do regarding the World Clock thing. What should be Master? Shall I leave it alone and not connect them? Should I buy an external clock? AND... what the heck is World Clock actually doing. I´m sorry if thats a dumb question. I´m lost and have no clue.
Thanx in advance for any helpful soul.
Word clock is a synchronization method. If you have word clock inputs on your mixer or sound card or rack gear, you can use a master clock source to synchronize everything. This is necessary because every internal crystal used in digital products varies slightly in frequency, and when you connect all these products together via digital connections (lightpipe, S/PDIF, etc.), you get pops and clicks in the audio stream when the gear adjusts itself trying to synchronize with the digital stream.
Not all master word clock generators are alike. The most important specification is how much jitter it produces. Pick the piece of gear you have that has the lowest jitter spec and slave all your other gear to that. You will need BNC type cables and can use \"T\" connectors on the slave devices to daisy-chain all your word clock inputs. Then select \"Word Clock\" on each piece of gear as the syncronization source, except for your gear acting as the master clock. Set that one to internal synchronization.
oh boy... all those manuals, on every page at least 10 times and I even wasn\'t able to READ it right... ok, now you all understand why I have had problems figuring out whats the deal with WORD Clock. [img]images/icons/frown.gif[/img]
Now I know why I wasn´t able to find useful information on the net, goggle returned just stuff about time-zones etc... lol.
Hey, its just me. Not all germans are that dumb.
Thanks Peter for correcting me. Better here than in a situation even more embarrassing [img]images/icons/wink.gif[/img]
killerbobjr posts some great info here about word clock. He neglected to mention a couple of critical items, though. Be sure you get 75ohm BNC cables and connectors. (BNC stands for Bayonet Nut Connector... I have no idea where *that* comes from... and originated with the old 10-base-2 networking systems... seems that audio is always stuck in the past). For quite some time, 75ohm was hard to find (it\'s also referred to as RG59 cable) because it was supplanted by the RG6 cable adopted as a standard for NTSC video signals... standard cable-TV fare.
I\'ve had good luck finding 75ohm RG59 cable at my local Altex Electronics store. You can also order this on the web at www.altex.com preconfigured with the BNC connectors. They also have the T connectors and terminators very cheap there.
One other *critical* item: Be sure to terminate the last device in the daisy-chain with a 75ohm BNC terminator. It\'s a little \"cap\" that plugs into the other side of the T connector on the last device. Without this, your word clock sync will not work right and you\'ll have the dickens figuring out why.
How do I know all this? Am I one smart dude? Not really. I\'m getting this straight from my RME ADI8DD manual. When I rebuilt my studio these last few weeks, I simply followed exactly what they recommended and it has worked GREAT! The people at RME really know their stuff!
Sorry to keep chiming in, but on the subject of digital sync and RME and ADI8DD\'s, I thought it might be useful to mention that the ADI8DD is a KILLER device. I have a POD Pro, a Proteus 2000, a recording computer with a MOTU 2408mkIII and a Gig computer with an RME Hammerfall 9652 in it. I was having a *very* hard time with the digital outs on all this gear. Clicks and pops and grinds and garbage constantly. The main culprit was the Proteus 2000 which outputs only at 44.1khz, while everything else was at 48khz.
I got the ADI8DD Digital Interface from RME and it killed the jitter and the clicks and pops. It\'s an expensive little thing, but it works exactly as advertised. The Proteus 2000 doesn\'t even have a word clock input, but the ADI8DD manages to sync it up and do pristine real time sample rate conversion to 48khz. I highly recommend this device if you are having trouble with digital devices that you can\'t sync up. Again, at $900, it\'s not for everyone, but if you need it, it will definitely do the job.
thank you for your detailed info. Indeed you sound like a really smart guy :-)
As for the BNC stuff, I know it pretty well. I´ve been in the computer business for 8 years now. The problem as you mentioned is the 75 Ohm thing. I´ve plenty of 50 Ohm cables and terminators, but 75 Ohm is hard to get.
Actually I´ve still a few problems with the my A-16 and my Yamaha 01R96 and I believe the 75 Ohm is the reason. I have not set termination at all because of the lack of 75 Ohm terminators. Damn, I guess I have to take a look around for the 75 Ohm stuff.
Thank you all for your help !!!
Good prices & works well, IIRC the \"cheap\" stuff uses Mogami video cable which is great.
I bet you can also get rg-59\'s at radio shack.
I never had good success daisy chaining clocks with T\'s. My life got much easier when I got a Mutec clock generator (8 clock outs), though I do have a rather complex setup with 9 lightpipe cables. Mutecs are hard to find in the US but there are alternatives. (Try Google groups on \"wordclock distributor OR distribution\") They\'re a bit dear for gear that doesn\'t make noise, but as a consolation a good clock makes everything else you own sound better. (If you\'re sensitive, dare I say startlingly so?)