I am writing an article about sampling myths and need your help.
It's sometimes a tough job separating truth from fiction.
If you're like me, you've heard a good many stories in this industry. A lot of them certainly seem true. But others ...
What are some sampling and digital audio myths that could use debunking in your opinion? For instance, one myth is that one needs to spend a fortune to realize a decent orchestral sound, or that one needs a particular sampler or platform.
There may be myths that are popular because "that's the way it's always been done" and now need re-examination.
What is different now and what has changed?
I would like to identify what some of these myths are. And also how would you debunk these myths and set the record straight?
Thanks for your help.