which goes a long way to explaining the rather odd close chord arrangement for the solo and section strings (very effective in the original electronic version).
Another interesting point about this was the GPO was not "performed." Instead, I used some ideas from the old SuperConductor program, and coded into the KeyKit language, to create an automaticish algorithmic performance. The pulse that I choose for this piece was one often used in the music of Cesar Franck (weak-strong-strong-weak). I stopped working on this code in Feb, but what do people think - should it be resurrected?
GPO used: Flute V, Tuba Solo 1, lush strings, solo Gagli, solo Guarn, solo Cello, pizzicato Cellos, celesta
One instance of SIR using an impulse from the 1800 seat hall from noisevault.