Un Pepy la Fils was written after I did some work for American Ballet Theater. I had visions of the dancers as I wrote it. I have not mentioned this before to anyone, no reason, just never thought to mention it. Any dancers reading this? The last dancers that I spoke with were Katherine Dunham, and a chorus girl, both more than 50 years ago. How would a dancer feel about dancing to this? I have been considering orchestrating this for small orchestra, which would be quite an undertaking for me. But, I really need to know how a dancer or choreographer would feel about this.