Here are three different arrangements on the mighty "Glora" from Mozart's "Trinity Mass". Each one, very different in color and feeling from the other, reflects the ever present theme of praise and honor in its own way.
1. Brass Choir (2T, 2H, 2T, 1E, 1T) with piano accompaniment;
GPO instrutments: French Horns for the Euphoniums, Ten Trb for Bass 1 and Tubas for Bass 2 & 3
The beauty of writing for double choirs is that I can trade off the parts and interchange them between the two choirs in such as way as to give a feeling of dialogue. The last arrangment was written for and performed by the Eastman Tuba Mirum this past year.
Thanks. I suspect that there will be very different opinions on which arr. is chosen for each person. They certainly have a different feel.
I checked and I do not believe that I have a live recording of this. It was performed at concerts outside fo Eastman and I don't think it was recorded at one of them. I will let you know if it is in the future.