Well, Larry, I'm a whole grain kind of guy, myself. Still, I can enjoy pumpernickel - and I surely did this morning when I heard this. Like the arch quality, with the piano solo coming back at the coda. It is interesting to me how you seamlessly combine the baroque and ragtime styles in many of your works. The motoric rhythms contribute to this, but you have a very distinctive synthesis that makes your pieces very recognizably yours.
On another issue, have you tried different kinds of reverb? I'm no audio buff, but I think you could sweeten the sound with a little more ambience. Or, play with the placement of the piano with regards the orchestra - on some of your pieces, they sound like they are in seperate environments. How to do this? I haven't a clue...sorry (it's easy to break the eggs, harder to make the omelette). Anyway, just a suggestion.