As an initial example of what I am doing with GPO/J&BB, I present an original piece for piano played by the J&BB Steinway. I prefer this sample to that in GPO for its basic sound quality as well as for its all-important brightness control. This performance was realized through the use of J&BB and Overture SE exclusively.
To hide some of the obvious differences in volume and tonal quality that occur at velocity value 96, I have randomized my dynamics by first drawing them in with the straight line tool and then drawing a wavy line over the straight one in an effort to avoid such a sudden change in volume. Additionally, I have set a lower brightness level for each note that reaches velocity 96 or higher. I use a brightness value of about 96 for all notes with a velocity value lower than 96 and one of about 50 for those with a velocity value higher than 96. To my ear, this seems to help in the blending of the instrument's overall tonal quality.