If ever there was a "music theory lesson in a composition" from you (and that's actually always the case) your Sonatina is certainly that. Hearing this one played on GPO's great sounding Harpsichord is especially nice to me, with that instrument's unapologetic dynamic limitation and extremely pleasing sound.
Thanks by the way, for using the most realistic, classic Harpsichord patch in GPO. The other two versions of the instrument I'm sure have their uses, but have a more synth sound to them which I always find distracting.
Also, did you noticed the thread in the General Discussion board about the GPO Harpsichord? Maybe you contributed to that - The question initially was if the GPO Harpsi has release samples so the mechanical string-release sound is triggered on note off. I was thinking it Did have that release sound - But, it doesn't. Curious, because common wisdom is that the best sounding virtual Harpsis have that sound, but GPO's doesn't - yet listen how good it sounds. I think perhaps the clunking and thumping is more easily lived without than one would have thought!
Thanks, Larry, for another piece with the signature Alexander good energy feel.