Thanks for listening, Ron.
This piece was interesting because almost any altered note would work.
This could be a song with no end since there were no dominant or tonic chords until I ended the piece.
I mostly employed the notes of the chord(s.)
Great piece. Reminds me of waves hitting the beach. Each time they are similar but each time they are also different. The waves of the chords wash over me and have a definite continuity but there is something different each time. I can see what you mean about how this can continue ad infinitum. Thanks for introducing me to this composer and this concept.
I'm not sure if Alexander Scriabin himself knew quite what he
was thinking sometimes; but the Three Mystic Chords (quartal
hexachords) have fascinated a number of composers... myself
included (occasionally used in orchestral pieces).
For those with an interest, there's a quick write-up on them
at Wikipedia, here: