Put yourself in the preeminent acoustical concert hall in the world listening to a superb orchestral performance. Now, envision listening to this orchestra from the three optimum, acoustically ideal locations in the hall; up front; in close proximity to each instrument, in the main or “central area” of the room and near the back of the room. It sounded electrifying didn’t it! n this scenario, almost certainly, you would have made a distinction in the way the instruments sounded from each location. In other words, the acoustics of the hall would have become a major part of “the sound” if you will… This is what makes this library so realistic and striking as I’ll explain shortly. Suffice me to say for now; any professional studio engineer will tell you that great recordings start with great rooms. Add to the fact that each sample in this library, (to be called EWQLSO from here on out), was recorded from each of the three abovementioned locations and you have one of the MAJOR underlying validations as to why this is such a unique and powerful sample set.