I wanted to share an excerpt with you- because I'm quite proud of it. I've combined VSL Solo, Chamber, Orchestral, and Appassionata Strings to try and coax as much expression as possible out of the samples. I've come upon a kind of "chaos" method that works really well- I'm constantly shifting emphasis from Chamber-Orchestral-Appassionata by using a tiresome number volume envelopes and velocity crossfades. I add solo strings at a very quiet level as a finishing touch. My goal here is to make sure that a repeated phrase never sounds the same, and so that a chord/note never stagnates.