BEYOND THE EVENT HORIZON - Violin & Symphony Orchestra (Sosnowski)

[LouisD]

Forgive me for coming very late to this concert. I really needed time to get to know this very intense piece of work. I can only say that I am completely overwhelmed by the sheer scope of it. It is brilliant in every aspect. Thank you.

[KE Peace]

Dave,

I am always pretty much at a loss for words when you post one of your pieces. No exception here. A friend and I listened to this several times last night, and the precision of your control over the sounds is exquisite! Oh and the sweetness and passion of that violin! "That's a recording of a performance, right?" my friend asked (and he is a long-time music listener.) The composition, I feel I can't come up with any words that would do it justice. Bravo! It is always a delight and an education for me to listen to a Sosnowski post They always inspire me to "take more risks" as you advised me.

Karen

[jacksiru]

I've listened to this piece a few times, and each time I find it more impressive. I think this is one of your finest pieces. It hangs together beautifully, and is extremely expressive. The sounds are great as are the subtle changes, and especially the transitions from one event to another (notwithstanding the title). The bell sounds seem to play an important role in the structure.

Simply put, it's a great piece, and I enjoyed listening to it very much.

Best Regards,

Jack

[Skysaw]

Astounding!

I listened to this first a week and a half ago, and after a couple of listens, I finally feel like I'm ready to comment. I was kind of hoping the score would be available by now, since I'm really curious to get a peek, but I'll keep an eye out for that.

A fantastic listen from beginning to end. It's certainly recognizeable as Sosnowski, with many of those fun trademarks that start to seep in after being exposed to a few pieces. I'm not sure how many trumpet players have survived earlier Sosnowski works, but whoever's left would, I'm sure, be proud to impale themselves upon your masterful and sadistic writing.

Your harmonies are so interesting to me. They often sound like they have equal footing in Schoenberg, Debussy, R. Strauss, and Lutoslawski. I love the string and brass chords, and the wind pairs working together.

The solo violin is mind-numblingly terrific, both in the writing and the realization. This is a real bow-shredder in places, and I mean that in the best sense possible. In other parts it's sublimely sweet and nostalgic.

Another really fun part of this work is the swirling explosions of sound that ebb and flow like a violent and unpredictable river rapid. Incredibly evocative!

I'm really very impressed by this work, possibly even more so than I have been by all your preciding pieces. This is a very mature and masterfully crafted endeavor. Romantic, beautiful, and intense.

You are on an stellar artistic roll, my friend!

[etLux]

Hello Michael,

Thank you, my friend, for taking time with this;
it's a substantial investment of listening!

David,

New and impressive. Your work covers such a wide scope of emotions, techniques, and stretches the ability to express with orchestra; a wonderful balance of the lush and chaotic. Very much enjoyed.

Michael

I've been somewhat concerned over the extent
of this, and the broadness of its excursions,
Michael. I'm pleased you found the work satisfying.

All my best,



David
www.DavidSosnowski.com

[musictom]

All I can say is WOW!

I can't add to either the genius of the work, nor the comments others have posted. Suffice it to say I am blown away on several levels. At first listen, the engineer/electronic musician in me can't believe the level of realism you've achieved with these instruments.

But several minutes into the piece, and I'm no longer even listening for the tell-tale signs of sampled instruments. I'm simply drawn into the beauty and genius of the work.

Amazing! Thanks so much for sharing.

Tom

[etLux]

Hiya Danny,

David,

I just listened to the completed version

That's right -- forgot I'd tortured you with an early version... lol!

this morning from the auto-emailing. It woke me up!

I don't know if this piece works unless you listen to it in the middle
of the night, Danny...

I'm constantly astounded (along with everyone else!) at your composing chops along with the personality and creative ingenuity with which your music is unfailingly infused. Event Horizon is no exception, and proves that even someone so highly accomplished can continue to grow and evolve in their craft.

Thanks so much, my friend. Writing is one of those things I don't
think you ever finish learning how to do.

The conversation between soloist and orchestra is incredibly fascinating and never even remotely approaches predictability.

Someday, some intrepid soul is going to try to play this. It may
well be the doom of my karma.

So, yeah, OK, I liked it (OK, so I loved it ).

Thanks for your generosity, encouragment and -- in this case -- for sharing your unique and tremendous talent with us.

Danny

Thanks, Danny, for the kindness of your comments!

My best,



David
www.DavidSosnowski.com

[DelCarry]

David - I have only been able to listen to this once so far but my first impressions are very good. Quite an expressive piece. I was wondering when you would come out with something using the Strad. And you did not disappoint! The solo violin adds another huge perspective to your already accomplished writing. WE hope to hear more of the same of course.

Thanks for sharing - Del

[valhalx]

David,

Once again you've presented us with a masterful composition and once again I find myself saying, Bravissimo! This is your best yet.

As always, there is a richness of detail that can only be appreciated through several hearings. The interplay between solo and orchestra is superb. Great handling of the Strad. Honestly, all of your string work is impressive beyond words. Your long string lines are a pleasure to listen to. And beneath the apparent chaos one can hear that this is firmly rooted in the romantic tradition.

As I mentioned to you previously, one feels as though they are on a journey where the scenery is constantly changing. And yet, this piece possesses a solid continuity. A very admirable achievement.

Bravissimo again, my friend! You can be proud of this Opus.

Bill

[germancomponist]

David my friend,

this is a piece for the Masterworks, Volume 13!

I enjoyed listening! A very cool composition you did!

My best,

Gunther