David
3rd time thru and I have to agree with Danny. I did have thoughts of speaking like Yoda. Good is this music.
But I must admit that there are a few frequencies in this that make me lose any sense of altering and those same freqs, wake me back up.
What a Lovely Serene Dilemma.
I thought those days were past.
Ron
Hi Steve,
An old joke about politicians: He talked a lot but
didn't say much.
I never argue with women. It's easier just toThis piece is a perfect picturization of me trying to argue with my ex-wife:
Just when you think it is over it isn't, so you wonder when it will end, or where will it end or WILL IT EVER END?
admit they're always right and move along.
I don't know that it's planning so much, Steve,Actually, I find this kind of writing fascinating but mind boggling. I like it's seemingly randomness because it takes great planning to get that effect.
as it is choosing well. As with more traditional
composition, you do need to foresee the outcome,
the musical consequences, of your choices.
So far, I think Danny's response was the only oneI also like Danny's response, which like the quote above, makes great use of words. Now, if I could just figure out what both sets of those words mean?
Steve
really appropriate to the work... rofl!
My best,
David
www.DavidSosnowski.com
Hi Graham,
Thanks, Graham... for the kind comments and spending
time with this little experiment.
Re-listening this a few times, I think maybe I actually
like the "piece", myself, too. Which surprises me.
The trick seems to be not to listen to it while you
listen to it. That is, just let it float by, don't try to
analyze. Maybe it's just musical wallpaper; but I do
think there's a place for that sort of thing -- sounds
for the sake of pretty sounds.
Bob De Celle mentioned the very same thought to me,From a purely musical perspective, I could see both stochastic pieces contributing to a larger scale work that contains more lyrical writing in places by way of relief, a quality I particularly admired in Beyond the Event Horizon.
Graham. I could see that working -- an excursion away
from traditional sense as an element of structure, an
element of contrast. It's an idea I'm very open to, and
it will likely emerge in one piece or another of mine down
the road.
I have at least one more in the hopper. Perhaps I will doThat said, I'm up for listening to these as a set of fantasia as they stand. Are you planning any more?
a few more, who knows. It's taking me time and exposure
to wrap my musical sensibilities around this kind of work.
It's also no secret that I have held a rather negative
outlook toward this kind of "writing" for a very long time.
Yet, there are elements in it I am finding of some value;
so I believe my perspective needs, er, adjustment... lol.
The more I work with the Garritan Steinway, the more IAgain, great use here of the new piano and other instruments from the Garritan collection.
Best wishes, Graham
love it. My gosh, what a gift!
My best,
David
www.DavidSosnowski.com
H Bill,
I admire your endurance.
No no no... lol! This kind of thing, you're notThe first was this morning, as I was having coffee and catching up on the news. That time it was more in the background as my mind was preoccupied. I felt a sense of calm and relaxation. A couple of hours later I listened and paid attention.
supposed to pay attention.
Now that (Bolero) is mind-altering music!About half way in I began to experience feelings of anxiety and tension. Those feelings progressed to foreboding and near panic. I don't know if it was a result of listening analytically or what. I can tell you I had a similar experience in 1968 when I listened to Ravel's Bolero three times in a row.
Thanks for spending some time with this, Bill -- I know this
is about as far distant from your usual climes as you can get.
I promise I won't do too many more of these... lol!
Always my best,
David
www.DavidSosnowski.com
Thanks for listening, Ron.
I agree with Danny absolutely. Although, I'd like to add
that in the middle of the turpentine under the sofa I
cantered aimlessly into an uncle who once brought his
railroad cars from here to the glandular daffodils which
promulgate incursions willfully.
My best,
David
www.DavidSosnowski.com
David
I guess you missed my attempt at humor. I half accused you of messing around with Lucy while composing this.
Ron
Lucille Ball?
Never.
Best,
David
www.DavidSosnowski.com
Lucy in the Sky with Diamonds.
What a Lovely Serene Dilemma.
I thought those days were past.
Too Chartruse perhaps?
Ron
I'm just in a weird mood.
To the best of my knowledge, the Beatles never
did any algorithmic stochastic minimalism.
I could be wrong about that, though...
David
www.DavidSosnowski.com
Bookmarks