"I was a little less successful in its third section (Alborada, in B-flat major), where the brasses somewhat drown the melodic designs of the woodwinds; but this is very easy to remedy, if the conductor will pay attention to it and moderate the indications of the shades of force in the brass instruments by replacing the fortissimo by a simple forte." - Nikolai Rimsky-Korsakov
This is the second-to-last installment (I hope )
Third movement + Cadenzas: http://www.suspenlute.com/gpo/Chris%...%20iii-iva.mp3
Second movement (updated): http://www.suspenlute.com/gpo/Chris%...gnol,%20ii.mp3
First movement (no changes): http://www.suspenlute.com/gpo/Chris%...agnol,%20i.mp3
I modified this slightly after first posting it. It now continues up to the harp cadenza, stopping just before the "Canta Gitano"-proper.
Feedback is welcome as always. I want to keep improving.
As usual this is 100% GPO, all data entered by hand (including the harp glissando, muahahaha)