Many thanks for the enthusiastic and kind reception, my friend!
All the best,
David
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David Sosnowski
www.DavidSosnowski.com
Many thanks for the enthusiastic and kind reception, my friend!
All the best,
David
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David Sosnowski
www.DavidSosnowski.com
David:
Please forgive me for taking such a long time to listen and then comment. Some personal things in my life slowed me up somewhat.
Thank you so much for sharing these extemporaneous pieces with us. They are quite enjoyable and very musical indeed. Much of my musical life has been taken up with attempting to decide which I prefer, improvisational or through compsed music. Just when I decide on one path the other grabs me and I change course.
Recently I have been most concerned with trying to develop my composition and orchestration skills.
Listening to these pieces of yours I am struck by the way you manage to bring the sound and scope of the orchestra into your piano improvisations. I constantly hear this in your playing and find myself thinking of how the music might be orchestrated.
You sense of form and development certainly comes through as I listen to these. One of the dangers of improvising is the tendency to wander without any descernable pathway and this certainly is a danger that you have avoided in these brief musical thoughts.
As always, the time I spend listening to your music moves my spirit and prods me along my own musical journey wherever that leads.
Thanks for the listen.
David Mauney
Hello David!
Thank you for coming by to listen to these small efforts, my
friend...
By all means -- take both paths! They enrich each other.
There are many roads to learning; but I've always felt that theRecently I have been most concerned with trying to develop my composition and orchestration skills.
piano is one of the best places to learn some of the most
fundamental elements of orchestration: voicing and harmonic
color. These two areas generally fall outside of the typical
methodologies of teaching orchestration; yet, too, they are not
usually well attended in other subdisciplines (theory, harmony),
either. But working with these on a piano, they're exposed,
naked -- you can't hide behind the characteristics of individual
instruments.
You can approach piano writing dozens of different ways,Listening to these pieces of yours I am struck by the way you manage to bring the sound and scope of the orchestra into your piano improvisations. I constantly hear this in your playing and find myself thinking of how the music might be orchestrated.
surely. But I usually think of it more in orchestral terms...
color, texture, contrast -- in good hands, the instrument is
endowed with enormous scope in these areas.
Though I try to "loosen up" in improvisation, I'm afraid the yearsYou sense of form and development certainly comes through as I listen to these. One of the dangers of improvising is the tendency to wander without any descernable pathway and this certainly is a danger that you have avoided in these brief musical thoughts.
have hopelessly encumbered me with form, structure, development...
I doubt I could avoid them were a gun to my head.
Few things could please me more, David, than to inspire othersAs always, the time I spend listening to your music moves my spirit and prods me along my own musical journey wherever that leads.
to the pen.
As always, David, thank you so much for your generousThanks for the listen.
David Mauney
comments!
All my best,
David
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David Sosnowski
www.DavidSosnowski.com
just listening again to "A Glance at Evening" David,,,
such a talent you have!
Thanks again,
Dan
Many thanks for your kindness, my friend...
and for coming back for more. I'd added
a few little pieces to this, I think, since
you listened, first.
All my best,
David
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David Sosnowski
www.DavidSosnowski.com
Maybe you listen to these fine works and hear many shortcomings. However, I think this is an example of a principal I've had to apply to learning a new language - "use what you have!". Thanks for sharing with us what you do have - believe me, it's still substantial. I know it can be frustrating when you feel limited, but only you know what you "could have done". For the rest of us, it's pure listening pleasure.
I particularly enjoy your use of cross rhythms. They seem to flow from you with ease.
Regards
Owen
Hello, Owen!
Thank you for listening, my friend.
Absolutely! That's a life style... rofl! You can sit
there and fret over what you can't do, and get
nowhere -- or you can take what ya got and get
in there and build something with it.
Many thanks for the kindness, Owen. I'm pleasedThanks for sharing with us what you do have - believe me, it's still substantial. I know it can be frustrating when you feel limited, but only you know what you "could have done". For the rest of us, it's pure listening pleasure.
to say that with daily work, my technique is
shining up nicely, again. And I'm more surprised
than you could imagine by that. Who'd have thought?
Thank heaven, Owen, one thing I can still do wellI particularly enjoy your use of cross rhythms. They seem to flow from you with ease.
is -- count!
All my best,Regards
Owen
David
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David Sosnowski
www.DavidSosnowski.com
These piano improvisations are superb. So different from your other piano works. There's a lot of poetic moments in there and the Steinway really shines in your hands. "Perseids" is still my favourite. Hope you'll do an official relase of these piano works like you're doing with "Beyond the event horizon" and the "Symphony n.4". Congratulations!
Best regards,
Andrea
www.andreacomposer.com - News, previews, medias, discography and sheet music download.
"Square" - The debut album by Andrea Maria Ottavini
Available on http://cdbaby.com/cd/amottavini
Shortly even through iTunes, Napster, Great Indie Music and USA Stores.
Hello Andrea,
Many thanks, my friend, for you truly kind comments.
And yes, the improvisations are markedly different from
my more formal writing. I've wondered over that across
the years -- perhaps it's my deeply latent Romanticism,
yearning to be free... rofl!
All the best,
David
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David Sosnowski
www.DavidSosnowski.com
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