As I am only a virtuoso on the KAZOO, I wonder the following:
Sometimes instrumentalists can't avoid some sort of a portamento or pitch bend, due to the distances of notes, string changes, fingering of the valves on the brass-stuff, etc. Anybody can help me find some literature about this, apart from Orchestration books, which don't have that kind of info layed out for this kazzo-player, me, in an comprehensive way.
Is there some "raw generalized - I hate that " rule for:
Raymond - the super kazoo-ist