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Topic: Cards

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  1. #1

    Cards

    http://soundcloud.com/willpadgett/cards

    My first attempt at sequencing a composition...lemme know what you guys think. I played around with it quite a bit in Logic Express.

    The major complaint I have is the 'tick' or 'void' sound between EVERY high woodwind note! Calling it 'legato' is a joke! I am fairly convinced that my legato/auto-legato features just aren't working at all, because there is -no- difference in when i hold the pedal and when I overlap notes. Any ideas?

    How do you think the realization sounds anyway?

  2. #2

    Re: Cards

    To obtain legato, you should have the sustain controller high (cc64 with value 64 or higher) and the notes should overlap (a little bit will do). You can also try the auto-legato, which you only need to switch on in the player itself, and will kick in when the notes overlap.

    Did you know that the note velocity determines the attack? So the click you hear might very well be a sharp attack from the next note with a high velocity. I'm using Logic too, so perhaps I can help to make a passage a bit smoother.

    I like the piece. It's fresh, consistent, and has a natural flow, even where it introduces changes. The orchestration is nice. Well done.

    BTW, using 2shared.com might keep people away. Most here use box.net, soundclick.com or soundcloud.com. On my computer, 2shared showed me a pop-up of a casino and partypoker and set a few cookies, and it was quite hard to find the link that actually gives you the file.
    Theo

  3. #3

    Re: Cards

    Thanks for the reply, FLWrd. I am aware of what auto-legato is (and its CC #, 102) and how it works, as well as the sustain pedal's function in creating legato passages, but my problem is--it just doesn't work. Maybe it's because I'm using the Finale version (Instruments for Finale)? My Aria player is severely limited, but I figured I could still access all of the CCs with my MIDI controller's knobs...everything does work, except for auto-legato. Turning my cc 1-2 all the way to 127 and everywhere in between does nothing, does not create monophony either.

    The 'voids' between notes are indeed new, quick attacks, because the legato wasn't working and all of the fast notes were creating new, sluggish attacks when I wasn't doing this fake legato technique (all hard attacks).

    Very frustrating, this is! I am happy with Garritan, but of all things, the legato feature isn't working!

    And thanks for the tip on 2shared...I'll stick to your recommendations now.

  4. #4

    Re: Cards

    Your music host website is so complex and confusing that I gave up.

    You need to post your music somewhere so that it will stream and not necessitate a download.
    Larry G. Alexander
    www.alexandermusic.com

  5. #5

    Re: Cards

    Sorry bout that--I've uploaded it with SoundCloud now. Replaced the link in the original post.

  6. #6
    Senior Member Frank D's Avatar
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    Re: Cards

    SP ...

    Sorry to say the link (as of 2:00pm EST) is still to the old, convoluted download page ... I had NO luck. Check your link to SoundCloud.

    Regards,

    Frank

  7. #7

    Re: Cards

    So sorry...forum hyperlinks remain the same! Fixed it.

  8. #8
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    Question Re: Cards

    Hi SP,

    I'm afraid the link in your OP still doesn't lead to an accessible file. Have you remembered to make the upload public?

    Just a thought.

    Regards,

    Keith

  9. #9
    Senior Member Frank D's Avatar
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    Re: Cards

    Hi SP,

    Well, after my fourth attempt, I was finally able to hear "Cards". Very nice. But while on the page, I also listened to "Hidden Passage" ... EXCELLENT!

    It was worth the wait; looking forward to hearing more of your music.

    Also, be patient with yourself in learning how to extract more and more nuance and subtlety out of these amazing libraries. It's a continuous process.

    Regards,

    Frank

  10. #10

    Re: Cards

    If you will increase the polyphony (number of voices) for instruments like flute, bassoon and others, you will get a much smoother sound. The flute, for instance, should have a polyphony of about six and at least twenty-four if you do any trills.

    Regardless of what others may say concerning increasing polyphony, that's the way I do it and my legato is talked about as far away as Zanzibar, Brooklyn and my neighbor down the street.
    Larry G. Alexander
    www.alexandermusic.com

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