Nice, Raymond! The breadth of your abilities is impressive - This piece is a far cry from the Piano Concerto you're currently posting. I love the light, whimsical feel of this short section you posted - of course you know it was cut off abruptly.--I take it this is a work in progress. I sure like it!
EDIT: For newcomers to the thread - Read on. It's explained later that Raymond didn't write this - I'm leaving my initial post though, because it's natural that I assumed he'd be posting original music as he always has. Raymond was having a bit of fun, as he says in his subject line.
Randy
Hah!
Made me smile big on this one. Thanks.
And um... that wasn't Prokofiev, was it?
- Jamie Kowalski
All Hands Music - Kowalski on the web
The Ear Is Always Correct - Writings on composition
Oops... should have known that!
- Jamie Kowalski
All Hands Music - Kowalski on the web
The Ear Is Always Correct - Writings on composition
Raymond,
This is definitely worth finishing. I like the lack of pretense and sense of humor. Not only is "just for the fun of it" a good reason to compose a piece, it is great reason to listen to a piece!
Norman
I think it was my third grade teacher who said as she passed out the test --- "read everything before you write anything".
The first symphony is very playful as well. Actually, most of the symphonies have at least some playful/joyous moments.
On the complete opposite side of the spectrum, give the string quartet #15 a whirl. The six movements are marked:
I: Adagio
II: Adagio
III: Adagio
IV: Adagio
V: Adagio molto
VI: Adagio
I'd put it right up there with Mahler's unfinished 10th, and Penderecki's Threnody to the Victims of Hiroshima in the gut-wrenching department. Death hangs heavily over each of those works.
- Jamie Kowalski
All Hands Music - Kowalski on the web
The Ear Is Always Correct - Writings on composition
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